Generalizations are made when it comes to a person releasing music under their own name. Though they are usually a crucial part of the music-making process, they are not always the sole contributor to the overall sound. Such is the case with Jenny Ritter, the conductor in a grand orchestra of indie folk music.
Young bands have so much going for them. In their infancy, bands have a hopefully prosperous career in front of them and are eager to get going. London-based alternative act Run Coyote fall into this category with their bright minds aligning for an ultimate goal of success.
Run Coyote, made up of Sam Allen (vocals/guitar), Jake Allen (guitar/bass), Amanda Grant (bass/piano), and Jeremy Ramos-Foley (drums), have released one album to date and hope to continue improving on this collection.
James Blake is one of the most exotic and elaborate music producers working today. His distinct post-dubstep style and melancholy swoon has attracted flocks of people to adore his masterpieces. Since 2009, Blake has been consistently releasing music, all incredibly diverse and brilliantly crafted. He went on to win the esteemed Mercury Prize in 2013 for Overgrown, his second LP.
Wand, the LA-based psych-rock outfit, has returned for a full throttle experiment. 1000 Days is the second studio album that Wand has released this year, but that doesn’t mean they skimped on the sound quality. When bands release two studio albums with such a short time span in between, there are always two scenarios that can play out.
For those of you who haven’t heard of Run The Jewels, please do yourself a favour and check them out immediately. Now that you understand the hype get ready to hear something absolutely insane, because at long last Meow the Jewels has dropped. Meow the Jewels is the cat centric remix of their last album, RTJ2, and as crazy as it may seem the album is even grimier than RTJ2 while at the same time being incredibly funny.
The concept of a doppelganger isn’t anything new in the world of film. We’ve been accustomed to what would play out if there was another exact replica of ourselves. Most of the time, the results aren’t pretty. Take a look at Denis Villeneuve’s recent cinematic mind-melt Enemy for example. In the music world, doppelgangers don’t have as much of a presence.





