Ten years, four cities and one Polaris-shortlisted debut after leaving Montreal, Aïsha Vertus made the album of her life from a Lisbon apartment — and the DJs who matter have noticed, even if home is still catching up.
Here is a fun way to measure a moment: open the tracklists for Tru Thoughts’ *Unfold*, Robert Luis’s weekly radio show, and count.
The hottest night out in 2026 involves sitting still, shutting up, and listening to a record all the way through. No, really.
From Tokyo to London to Los Angeles, a new kind of room is multiplying: the listening bar. Dark wood, soft leather, a serious sound system, a turntable, and one iron rule — the music is the point.
For years, the story was simple: streaming killed the disc, and vinyl was the cute little zombie that refused to stay buried. Cute story. It’s also now officially incomplete — because the CD, the format everyone agreed was dead, just posted the most surprising sales numbers in the music business.
Start with the part you already know.
Quick, name the most interesting thing happening in house music right now. If you said “a DJ from Delaware,” congratulations — you’re either Sondaeblu’s booking agent or you’ve been paying closer attention than the rest of us.
Sondaeblu is the performing name of Sondae, a Delaware Lenape (Lenni Lenape) Aboriginal American DJ and producer born and raised in Wilmington, Delaware, now operating bicoastally between his roots and the Pacific Northwest.
Consider the humble vinyl record. A flat black disc, roughly the diameter of a dinner plate, capable of holding — what — forty minutes of music? Now consider Joshua Paul Davis, born June 29, 1972, in San Jose, California, who owns more than 60,000 of them. Sixty thousand. If you stacked them, they’d — well, let’s just say you’d need planning permission.





