It’s become a yearly ritual for me. All roads in early August will lead to Montreal’s Parc Jean Drapeau for a year’s worth of auditory jubilation, delectable eating and feverish festival fun. With back-to-back record-breaking years in attendance, it’s clear that Osheaga has embedded itself onto the list of North America’s premier music festivals.
Day two of Coachella’s second weekend had a lot to live up to following day one, especially the Yeah Yeah Yeahs. The line up wasn’t as deep, lacking the early star power of Metric and Passion Pit, but that doesn’t mean it disappointed. The bands who were on, cashed in strong performances.
Just getting to Coachella had me wondering if it was going to be more trouble than it was worth. Two flight delays, a cancellation, one rerouting and an emergency landing in St. Louis – I was ready to be fetal. After a 24-hour day, I made it to Los Angeles. My Crew and I didn’t think it would take us another whole day to get to camp.
There wasn’t a hologram or a Daft Punk (in-person) showing at Coachella’s first weekend of the 2013 event. However, R. Kelly did make a surprise appearance with Phoenix, and Karen O tried to swallow a microphone; but not even a Sunday sandstorm could ruin the party. Don’t tell me any more spoilers or send me links to the webcast.
Karen O and the boys are back again with their much anticipated fourth studio album, officially titled Mosquito. The trippy, gruesome, kinda funny artwork was created by filmmaker Beomsik Shimbe Shim, according to Pitchfork, bringing a modern take the surreal album covers found in the late Seventies and early Eighties. Pitchfork also got the lowdown on the production of the album, by Dave Sitek of TV on the Radio and Nick Launay, as well James Murphy of LCD Soundsystem (who is also working on the new Arcade Fire LP).