Jacob Crepeault

My name is Jacob Crepeault. I am a student at Carleton University with an extensive palette for all things music. Throw in some hip-hop, a dash of indie rock, a touch of experimental, and baby, you got a stew goin'. I am the eldest of 8 children which means chaos is my friend. In my spare time, I enjoy creating my own short films, dabbling in the art of remixing, and goofing around with friends. My main goal as a journalist is to enlighten avid music listeners about fresh and dynamic musicians.

Arca
Mutant
Release Date: Fall 2015 After the pleasantly gorgeous Xen last year, Arca has kept himself busy with his involvement in Björk’s heartbreak masterpiece Vulnicura. The wonky producer recently shared news of a new album in the works, expected to be out this fall. Judging from already-released tracks from this year like “Sheep” and “Vanity”, it looks like the soundscape continues into stranger territory.
I’m sure you’ve read through countless articles regarding the new N.W.A. biopic Straight Outta Compton. Most major music publications have taken fistfuls of inspiration to paint a new picture of the iconic yet controversial rap group. Along with the new limelight shone on the men behind the music, dark clouds have also started to circle.
Who says songwriting has to be conventional? Sure, it’s all well and good to follow a displayed structure to prevent any alienation between fans, but in order to stand out among the crowd, why not stir the pot a little? Why is it that we tend to only remember a song’s chorus?
MODEL 86 is a new name for the film and commercial scoring artist Matthew James Wilcock. Under this alias, he is anonymous. His sparse Facebook info page describes his gender as neutral and his interactions as minimal. However, behind the seemingly empty cover, MODEL 86 has a lot written on his pages.
Three minutes is not a lot of time for someone to explain themselves. If you had to describe your life, your likes and dislikes, education, etc. in a mere three minute timeframe, would you be able to do it? Not likely. Our worldly clocks continue to turn, making time seem infinitely faster as we grow older.
Beginner’s luck is a myth. Many people believe that the first attempt at something new and its obligatory fruitfulness are the stuff of legends. This is not the case with today’s music world. Marrow, Chi-town’s newest heroes, rope in all they can muster to spin a web of pure brilliance. Yes, The Gold Standard is their debut record but the phrase “beginner’s luck” is not the right sentence to utter.
Are bass drops inevitable nowadays? Long gone are the brostep shenanigans of Skrillex with a herd of rising EDM munchkins shuffling through the unknown land. In this day and age, dubstep is a gimmick. It has led to countless parodies (including my personal favourite, “When Will The Bass Drop?”, a Saturday Night Live sketch) and has resulted in being the punchline of every electronica-related jab.
Tame Impala were never meant to be as famous as they are now. Five years ago, Innerspeaker, the band’s first album, treaded lightly in the large indie pond. That album was the brainchild of Kevin Parker, doused in reverb, distortion, and subtle influences from psychedelic initiatives. Tame Impala made it seem like they were trying to sound like The Beatles for a new generation.
[heading size=”15″ align=”left”]50. Waxahatchee – Ivy Tripp[/heading]
Waxahatchee has been one of those artists who seems to scrape the bottom of the barrel. There’s nothing wrong with Katie Crutchfield’s style of producing music yet somehow her musical appearance never accesses as much attention as it deserves. Ivy Tripp manages to be Waxahatchee’s first fully-captivating album.
There are moments in life where you completely zone out from everything around you. In moments like these, the world is yours. Take advantage of these situations as often as you can. I experienced this sort of euphoria during my Saturday excursion of North By Northeast. I’ll get back to that.