Justin Timberlake follows up his Bruno Mars-ish retro vibes with the video for “Suit & Tie.” The song has received mixed reactions, but the public has ate it up leading to another hit for Mr. Timberlake. The video, directed by David Fincher, follows a Las Vegas act celebrating the best life has to offer in the materialistic and sexiest of ways.
NDMA is bringing a little bit of style, a little swag, and a little sex to Ottawa’s music scene. The DJ, rapper, and Concrete Runway host has just graced up with another slick video directed by Michael Cumming. While last time it was all about the club and the shots with “Whiskey,” this time things are a little more relaxed, a little more island-r&b flavour… but still, “she wants to dance.”
SBTRKT, one of the premiere DJs of the past few years thanks to his killer self-titled debut (2011), has released a live album in vain of the Chemical Brothers, Justice, and the almighty Daft Punk. Above is a video capturing some of the show recorded. The album offers a great taste of what SBTRKT is about live, including a great vocal performance by Sampha, live strings, drums, and mesmerizing visuals which has all been captured by 12 (!)
Flight Facilities debut their new single “Clair De Lune” featuring Christine Hoberg. Taking a different direction, the Australian duo slow the pace down and create a single that is both calm and rich in melody and beats. The track will be released on November 13th for download.
Check out more info for Flight Facilities on Facebook.
Kendrick Lamar has become the critical darling of rap for the moment, and Gaga’s steals some of that magic by posting this demo of their track “Bitch Don’t Kill My Vibe.” The song was meant to be on Lamar’s debut LP, but ended up not making the cut for a reason that remains unknown.
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First up, The Weeknd’s “Rolling Stone.” The Weeknd has already proven to be a master of image and marketing, he tells you only what he deems worthy of sharing with you. Here, he provides his face and all that it can reveal while emoting a song like “Rolling Stone.”
