Monday, October 26, 2026Ottawa, CanadaEst. 2001
Antidote Magazine
The Remedy is Diversity
Sound Advisory — The Latest

Tara Lily Filmed Her Comeback in an Empty Royal Albert Hall at 5 A.M.

Two of the hardest radio shows in the world to impress played the same Tara Lily song within a month of each other — and the comeback video was shot in one take, on Super 8, in the most famous concert hall in Britain, before the sun came up.

Words
Marcus Bell
Filed Under
Sound Advisory
Published
Oct 26, 2026
Read the story
Tara Lily press portrait
Tara Lily. Press photo.

This Week’s Cover

Sound Advisory · No. 10
Antidote
Tara Lily
Side A · 33⅓
Tara Lily press portrait
Antidote — Sound Advisory
Vol. 25 · No. 10
Tara Lily
Break the Motion — The Comeback
Liner Notes

Two of the hardest radio shows in the world to impress played the same Tara Lily song within a month of each other — and the comeback video was shot in one take, on Super 8, in the most famous concert hall in Britain, before the sun came up.

Read the story
Listen
Via Spotify
Tara Lily
“Break The Motion” — the cover story’s soundtrack
Label — Tru ThoughtsFormat — SingleLength — 2:32

The record inside the sleeve, playable in the page. Signed out of Spotify, the player runs a preview; signed in, the full track.

“The remedy is diversity.”

Antidote has covered the music other magazines walk past since 2001 — the DJs, the listening bars, the records built out of other people’s records. This is the new front page of that same magazine.

Latest Stories

Updated October 26, 2026
Listen
Via SoundCloud
Theo Parrish
RA.1000 — three hours live at fabric, London
Format — DJ MixRecorded — Live at fabricSeries — Resident Advisor RA.1000

The full set, playable in the page — no account needed. Pairs with “Theo Parrish: Detroit’s Beautiful Problem” in Latest Stories.

About

The remedy is diversity.

Antidote Magazine is an urban lifestyle guide published from Ottawa since 2001. It was founded on a suspicion: the most interesting culture in a city rarely happens at centre stage. It happens in record shops and listening bars, in club booths at 2 a.m., in the margins of other people’s records.

Twenty-five volumes in, the brief has not changed. If it is made with obsession — a Detroit record that takes all night to say its piece, a London jazz band playing like it is a contact sport, a Montreal hotel room wired like a gallery — it belongs here, covered in long form by people who were actually listening.

More voices, more rooms, more records. The remedy is diversity is not a slogan the magazine inherited. It is the assignment, renewed every issue since 2001.